Theatre from the cracks in the psyche of culture

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COMING SOON
TO the Courtyard Studio at The Canberra Theatre Centre
Information and Tickets available here

WELCOME

SHADOW HOUSE PITS is Canberra's leading experimental theatre offering an alternative laboratory and performance arena utilizing drama, dance, digital/photographics on-stage, on-screen, on-line to explore the psyche of culture. It began in 1995 under the name PITS Productions and became Shadow House PITS in 1998.

    SHADOW HOUSE PITS uses rituals, symbolic action, new texts and meta-textual revisiting old texts to evoke the powers of nature and focus on areas of experience that are not easily defined or explained.

SHADOW HOUSE PITS has a mission to:

  • present theatre which stimulates personal and cultural challenge while affirming the struggles and joy of humanity;

  • create and inspire an organic artistic response to questions of cultural, historical and personal significance;

  • publish critical observations and reflections on theatre and cultural practices;

  • challenge and heighten perceptions of contradictory personal and cultural motivations, behaviours and social constructs;

  • create and present compelling theatre which challenges and enriches itself, its creators and the audience.

Shadow House PITS affirms the value of the personal "i": the power of individual thought, perception and feeling as a tool for artistic endeavours. 

SHADOW HOUSE PITS offers and presents exciting theatre scripts and productions which elucidate the shadows and invisible binds that can both connect and destroy our connection to the universe and to each other.

SHADOW HOUSE PITS offers a dynamic and provocative theatre practice that contributes to culture while challenging its belief systems and practices.

SHADOW HOUSE PITS offers "meta-textural" and experimental theatre approaches to the development and presentation of all its theatrical offerings and draws significantly on the writings and inspirations of people such as Antonin Artaud.

SHADOW HOUSE PITS offers investigations into the shadows of the cultural and personal psyche inspired by the thinking and analogies offered by C. G. Jung.

Jung suggested:

"Everyone carries a shadow, and the less it is embodied in the individual's conscious life, the blacker and denser it is. At all counts, it forms an unconscious snag thwarting our most well-meant intentions."

Check out our theatre scripts available for performing. FREE SAMPLES for reading.
Purchase on line for only $12. Just click on the title for
a sample of a theatre script and synopsis.

 

SHADOW HOUSE PITS  productions

Our Lady By The Beach Over The Sea (2012)

GEESE (2011)

Ich Bin Faust (2010)

Dying Love: Theatre In A car (2009)

Beyond Weimar (2008)

Tunnel Drive: Theatre In A Car (2008)

The Celica Of Existence: Theatre In A Car (2007)

The Naked Goddess (2006)

Homeless Minds (presented with DNA 2005)

Acting Artaud (2004)

Violine (1995/2001/2003)

sex&violets.com (1999/2002)

Coleridge's Christabel and Geraldine (1999)

Sanctimonious (2001 formerly "Sanctimony" 1996)

Shadow In The Dark (1995)

APE (1982/2003 new version still to be produced)

 

Plays with bite for teenaged performers
 (click here)

Sacred Fire

Children Of The Bauhaus (2007)

Cathedral Song (2002)

The Flies (1999)

Alice Is Missing (2001)

Have a look at these art and music Links:

Jessie's Cathedral Song

Naked Goddess Art


Joe Woodward, Artistic Director

 

December 2011 SCREAM: Releasing Artaud From A Theatre Of Cruelty

This site is updated weekly, and in most weeks, on a daily basis. The general tone is influenced by the Jungian concept of the "shadow" and its evidence in both the personal and cultural psyche. We see no contradiction in accepting the spiritual, material and erotic manifestations of human existence and behaviour. This may place us at odds with some accepted social practices. However, we trust you will find points of convergence with our views and approaches and we would very much like to hear from you.

Contact us: sp@shadowhousepits.com.au

Trinculo's Shadow 
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    venture into the very psyche of cultural and personal expression, and

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