Theatre from the cracks in the psyche of culture

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Plays causing social, emotional and psychic disturbances when performed
may be purchased for reading

Samples of these scripts are available FREE for reading, Workshop or Educational purposes. The whole scripts may be purchased for $12 each. The performance licence for any of these plays is now available. Generally these plays may be produced for a minimum fee of $120 (Aus) against 10% of box office (whichever is greater). Depending on your circumstances, we are open to negotiation. We can accommodate any situation if you have a passion for the work.

Check out play scripts with real bite for teenaged performers (Click Here)

Click on the relevant title for synopsis, details and samples of text.

CAUTION: Some of these plays listed have a history of causing social, emotional and psychic disturbances when performed, (ie. particularly Shadow In The Dark, Coleridge's Christabel and Geraldine, Sex&Violets.com, and APE). This should remind all of us that presenting a play takes massive amounts of energy concentrated into limited space. When attempting a play that draws upon archtypes of real power, we need to be a aware and careful in what we do. This is an observation and not meant to be something spooky. But no harm in reading ...

Coleridge's Christabel and Geraldine (1999)

 

Samuel Taylor Coleridge's brilliant unfinished poem, Christabel, is integrated into a sleek exposition of ambiguous relationship between a young woman and the most dangerous person in her life. Such people can herald the destruction or the making of an individual. This Gothic style play utlizes Coleridges poem expanded into a framework that blurs dreams and reality. Daemons and Night Walkers from the forest of desires converge on the house that once protected the young and innocent Christabel.

sex&violets.com

1999/2002)

 

Sex&Violets.com is certainly not for the faint hearted. Its crude and violent treatment of sexual desire and fantasy is guaranteed to divide audiences. The extreme sexual rituals enacted by the unconvential couple and their obsession with Internet sex, makes the play open for adventuous and exciting theatre. The play has had a number of presentations on three continents and each one has provoked strong reactions. There are undertones of La Belle Dame Sans Merci by John Keats that haunt the setting. 'La Belle Dame sans Merci hath thee in thrall!'

     

Sanctimonious is a rewrite of Sanctimony presented at The Street Theatre in Canberra in 1996. It is a rare bird; a surreal depiction of public service in a public service town. There is no morality and orders are given by the trophy birds on the shelves of high ranking officers. It is a thriller about a deadly substance put into the water supply by an eager public servant only to find that the additive had a devastating effect on one's brain. It engenders enzymes that digest people's brains. This becomes euphemistically known as the "affliction". With changing political and social values as a result, religion is utilized in the creation of the Department of Heaven. We can safely say and guarantee that there is nothing like it anywhere. The play will not be to everyone's taste and its surreal sequences with the Kite Bird require a very high level of movement from a trained dancer or martial arts expert.

Violine (1995/2003)

Violine is based on the actual war time diaries of Jack Woodward who was  prisoner of war in Klagenfurt, Austria. It also deals with his journey into dementia some sixty years later. The life shaping events of one period become re-examined and changed over time. But even in the hazy world of dementia, the leading character still plays the violin with consumate ease. A rather laboured production of the play in 2002 in Canberra, failed to fully grasp the world of the mind and the point of the play. A lack of real commitment from the cast and director was obvious. Violine is about the struggle for dignity in a brutal and dirty world. Regardless of circumstances or outward appearances, there are some for whom such a concept remains paramount. Violine touches on the same world depicted in Faure's music (a point lost on the mediocre fumbling of the Canberra production team). The actor playing the central character MUST be able to play classical violin at a very high level of expertise. Otherwise it might as well be simply a reading exercise!

Shadow In The Dark (1995)

Shadow In The Dark will break up relationships and marriages. It is the stirring up of the forces within the wicker circle. It is the story of a young woman teacher who is fascinated by a young student and writes of her sexual fantasies about him in her diary. He finds it and uses it to establish a hold over her. However, there is another dimension at play here. Her past mental state is not quite as it might seem. Late one evening after school when the rest of the staff have gone home, all her demons from her past visit. And the outcome is bloody ... There is magic embeded in this work and it should be produced with great care. When produced in 1995 at The Canberra Theatre Centre, there were a number of unforeseen and frightening consequences. Reading it isn't a problem. You're safe !!!

APE

APE is a rewrite of Brother Ape produced in 1981 at The PITS in Canberra and causing near riots and uproar. Twenty of Canberra's leading theatre "lights" from the invited audience stormed out of the theatre at interval. After that, it played to nearly sold out houses in the 180 seat PITS Theatre and bar at The Canberra Rex. The play was flawed by a lack of character building and some over-stating of the sexual relationship in the menage trois. The re-write is still being undertaken and may yet be further edited. However, APE deals with the effect of the Ape Of God or the Trickster in relationships. The casual affair leads to unforeseen consequences. Ape cannot be killed off or diminished. The bestial nature of sexual desire and family responsibility meets head on in this collision course of a play. Read it at leisure. The play will never be mainstream. Producers need to leave a glass of wine or Champaign out for the Trickster each evening after rehearsal or performance. Otherwise, who knows what might happen in the real world of vulnerable relationship and volitile desires ...

Deo Dorez

 

Deo Dorez is a difficult monologue set in an art gallery. Ideally, the paintings and / photography on the wall around the audience and central character should be able to move and come alive. The nude is gradually distorted into surreal world of art and life.

Zarathustra's rose 
(monologue version 2006)

Zarathustra's Rose is a fictional account of an Iranian woman's affair with an Australian. As she parts from him for the last time, she opens up about her mother who was murdered by the Revolutionary Guards on the orders of Ayatollah Khomeini. When originally produced at The Street Theatre as part of the Platform Seven evening, it was attacked as racist for daring to suggest some women in burkahs might not like wearing covering from head to toe. With more information coming to light about the plight of women in some Islamic countires, the play was much better received when included in the Naked Goddess program at DNA Studios at The Ralph Wilson Theatre in 2006. It is a strong monologue for an actress seeking a challenge.

NOTE: Portions of scripts are available FREE of charge for reading purposes, workshopping in classes and community theatres and evaluation of suitability and needs.

Purchase the whole scripts for $12 by clicking on the icons.

Production licence is available for a $120 (AUD) fee. Professional fees are 10% of gross box office or a minimum of $120. However, we have found that scripts offered by Shadow House PITS have had a resonance in areas which do not have a capacity to pay. Should you wish to produce any of these works and do not have a capacity to pay and/or recoup fee costs at box office, then please just let me know. In such cases, I would just like to get a report on the production and if possible, some photographic or video imagery from the work. It has been most gratifying to hear of small scale productions taking place in areas without charge. If any of these works, or the plays in the "youth" section, are of value to your group or school in financially poor areas please feel most welcome to use the texts free of additional charge.

And, to be sure, the prime criteria for letting out the licence is a passion for the material and a desire on the producer's part to challenge audiences and the respective cultures where the work is to be performed. None of the Shadow House PITS scripts are mere entertainments. All are conceived within the context of personal, social and cultural challenge. You are invited to join us on this quest by producing one or more of these works within your own cultural and community context. We invite you to exercise your imagination and your desire to embrace theatre for change and liberation. Let me know if you find any other offerings on the Internet that have the same or similar aims.

Browse more Shadow House PITS scripts here.

 


Contact us: sp@shadowhousepits.com.au

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