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SCREAM No. 74: June 2016


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No. 73January 2016: Opening Text From a Hardened Young Girl

No. 72 December2015: And Beyond The Violence

No. 71: October 2015: Cultural Clones

No 70: June 2015: Why Do We Think Our Theatre Always Needs To Be So Optimistic

No. 69 December 2014: Education, a Statistical Nightmare

No. 68: Nov 2014: Essential Value of Student Theatre

No. 67: Sept 2014: Mutual Exclusivity of Religion, The State and THEATRE

No. 66: April 2014: Too Trusting By Teachers

No. 65: October 2013: DANCE ME TO OBLIVION

No.64: June 2013: ARKWORK

No. 63 June 2013: VOICE VIEWPOINTS and VITALITY 

No. 62 May 2013: Theatre and art: the sideshow of distraction? post modernism and the myth of normal balance

No. 61: Jan 2013 Letter From Joe Woodward

No. 60 Jan, 2013: EXPERIMENTAL NECESSITY IN LIFE AND ART: Making Experimental Theatre the popular choice for a good night out

No.59 Nov. 2012: Analytical Absurdity from Kafka and Havel in The National Curriculum for the Arts

No. 58: Sept 2012:  TEMPEST IN A BATH TUB : a phenomenology of theatre making

No.57: July 2012: FADED FACES OF CREATIVE GHOSTS

No. 56 March 2012: Creative Processes in Cultural Salvation

 No. 55  February 2012: God in the details of CREATION

No. 54 December 2011: Releasing Artaud from a Theatre of Cruelty 

No.53  October 2011: Of LOVE AND A SACRED FIRE

No. 52 June 2011: ART OF IRRELEVANCE

No.51 April  2011: REVOLUTIONARY SUICIDE AND THE SHEDDING OF CULTURE

No.50 December 2010: ARTAUD AND GEESE
a new production exploring belief, illusion and delusion 

No. 49 September 2010: The Darkly Comical in King Lear by Shakespeare 

No. 48 August 2010: Beggar to Benefactor:turning arts funding on its head

No. 47 June 2010 Cockroach Theatre: why theatre practitioners might be better off thinking of themselves as a despised species 

No. 46 June 2010 Someone's going to hate it:
a consideration of critical dramaturgies and theatre presentation and why you need colleagues to hate you

No. 45 March 2010: SPECTRES OF FUTURE PAST IN FAUST META-TEXTS

No. 44 February 2010: Where are the missing meta texts of theatre?

No 43 January 2010: Devious bastards amongst us

No. 42 October 2009 : POST MODERN SUCK VS THE LEGACIES OF A DEAD GOD

No. 41 September 2009: Cultural treachery in every chance to dumb down and comply

No. 40 July 2009: Ziauddin Sardar should studyHarald Edelstam & forget Salman Rushdie

No. 39 March 2009: Two Guys in a bar with Vice President George Bush Snr at The Canberra Rex Hotel

 No 38 J anuary 2009 : Dying Love In A Car With A Stranger

No. 37 November 2008: To Believe Is To Kill

 No. 36 September 2008 : Twelfth Night Shakespeare's masquerade of love and desire

 No. 35 August 2008: Essau No Longer available

No. 34 December 2007: The Eureka Moment: Taking back the Eureka Moment from science fiction and fashion labels.

No. 33 November 2007: MYTHS & METAPHORS: ACTORS' & ARTISTS' WORKSHOP

No. 32 September 2007: Would we be better off with no theatres?

No. 31 April 2007: ANZAC DAY murders: Who's responsible?

No. 30 October 2006: Lamentation

No. 29 September 2006: "No Well Made Play in Exposure of Fabricated Goddess"

No. 28 August 2006: Lessons from Andrea Dworkin are lost on Donnie Sicko: charlatan of theatre

No. 27 May 2006: Theatre Reviewing: is it merely a critique of one's own tunnel vision ?

No. 26 December 2005: The cultural semen of Osama Bin Laden spawning the rise of new Fascism

No. 25 October 2005: A Fearful Theatre Afraid of its Subject

No. 24 August 2005: Homeless Minds and the Revenge of Innocence

No. 23 May 2005: Theatre Of The Homeless Mind a challenge for significance

No. 22 January 2005: Releasing a Theatre Of Cruelty

No. 21 September 2004: Hebe's descendants and the invention of GOD

No. 20 May 2004 : A Spectral Peer Gynt Haunting the Psyche of the Over-arching Dullness

No. 19 February 2004: Acting Artaud: director's notes on creating an exorcism for actors and audience

No. 18 January 2004 : The Four States Of Artaud

 No. 17 November 2003: Theatre of Humanity to Illuminate Shadows of the Soul

No. 16 August 2003: What could be done with interest on $10,000,000?

No. 15 May 2003 : The Naked Goddess and Other Spirits

No. 14 April 2003: Sculpturing Visions in an Ethereal Landscape

No. 13 March 2003: Bitchiness to give bitches a bad name

No. 12 January 2003: Sculpturing Dreams: the redefining art of theatre in an age of abstraction

No. 11 October 2002: Eroticism and Dreams: Art, life, representation and misrepresentation

No. 10 June 2002: Theatre Of Smugness: Are we at risk of degenerating into a theatre of smugnes s?

No. 9 February 2002: The Silence of Public Liability

No. 8 January 2002: The Incredible Art Of a Life

No. 7 November 2001 : Mimesis & Imagination: A Demonic Culture of Art and Theatre

No. 6 July 2001: The Dying Art of the Mariner: Some reflections on an Ancient Mariner

No. 5 April 2001: Theatre And Eros: Artaud's legacy accepting the erotic nature of performanc e

No. 4 November 2000: The Half Truths Of David Mamet

No.3 August 2000: The Tragedy Of Romeo and Juliet and Youth Suicide

No. 2 October 1999: Theatre Of Narcissism

No. 1 August 1999: Paradox and Misery

 

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