SCREAM
64 June 2013:
 
ArkWork
makes an assumption that art and education are more than training for
a nihilist future . . .
A
small group of us are attempting to use the concept of the ARK as an
installation that will promote questioning of values and stimulate
expansive thinking that is oppositional to reductive and
intellectually controlled expression. It is to be called INSTALLATION
ARK
and will focus both Visual and Performing Arts,
Philosophy and Digital Media students
and teachers on to the creation of a major work that aims to be
meaningful for participants, audiences
and the wider community.
click here
Click
below for Archived SCREAMS
No.
63 June
2013: VOICE
VIEWPOINTS and VITALITY
No.
62 May
2013: Theatre and art: the sideshow of distraction? post modernism
and the myth of normal balance
No.
61: Jan
2013 Letter From Joe Woodward
No.
60 Jan,
2013: EXPERIMENTAL NECESSITY IN LIFE AND ART: Making Experimental
Theatre the popular choice for a good night out
No.59 Nov.
2012: Analytical Absurdity from Kafka and Havel in The
National Curriculum for the Arts
No.
58:
Sept 2012: TEMPEST
IN A BATH TUB : a phenomenology of theatre making
No.57:
July
2012: FADED FACES OF CREATIVE GHOSTS
No.
56 March
2012: Creative Processes in Cultural Salvation
No.
55
February 2012: God in the details of CREATION
No.
54 December
2011: Releasing
Artaud from a Theatre of Cruelty
No.53 October
2011: Of LOVE AND A SACRED FIRE
No.
52 June
2011: ART OF IRRELEVANCE
No.51
April
2011: REVOLUTIONARY SUICIDE AND THE SHEDDING OF CULTURE
No.50
December
2010:
ARTAUD AND GEESE
a
new production exploring belief, illusion and delusion
No.
49 September
2010: The Darkly Comical in King Lear by Shakespeare
No.
48 August
2010: Beggar
to Benefactor:turning arts funding on its head
No.
47 June
2010 Cockroach Theatre:
why theatre practitioners might be better off thinking of themselves
as a despised species
No.
46 June
2010 Someone's
going to hate it:
a
consideration of critical dramaturgies and theatre presentation and
why you need colleagues to hate you
No.
45 March
2010: SPECTRES
OF FUTURE PAST IN FAUST META-TEXTS
No.
44 February
2010: Where
are the missing meta texts of theatre?
No
43 January
2010: Devious
bastards amongst us
No. 42 October
2009 : POST
MODERN SUCK VS THE LEGACIES OF A DEAD GOD
No.
41 September
2009: Cultural
treachery in every chance to dumb down and comply
No.
40 July
2009: Ziauddin
Sardar should studyHarald Edelstam & forget Salman Rushdie
No.
39 March
2009: Two
Guys in a bar with Vice President George Bush Snr at The
Canberra Rex Hotel
No
38 J
anuary 2009 : Dying Love In A Car With A Stranger
No. 37 November
2008: To
Believe Is To Kill
No.
36 September
2008 : Twelfth
Night Shakespeare's masquerade of love and desire
No.
35 August
2008:
Essau No Longer available
No. 34 December
2007: The
Eureka Moment: Taking back the Eureka Moment from science fiction
and fashion labels.
No. 33 November
2007: MYTHS
& METAPHORS: ACTORS' & ARTISTS' WORKSHOP
No. 32 September
2007: Would
we be better off with no theatres?
No.
31 April
2007: ANZAC
DAY murders: Who's responsible?
No.
30 October
2006: Lamentation
No.
29 September
2006: "No
Well Made Play in Exposure of Fabricated Goddess"
No. 28 August
2006: Lessons
from Andrea Dworkin are lost on Donnie Sicko: charlatan of theatre
No. 27 May
2006: Theatre
Reviewing: is it merely a critique of one's own tunnel vision ?
No. 26 December
2005: The
cultural semen of Osama Bin Laden spawning the rise of new Fascism
No.
25 October
2005: A Fearful Theatre Afraid of its Subject
No. 24 August
2005: Homeless
Minds and the Revenge of Innocence
No. 23 May
2005: Theatre
Of The Homeless Mind a
challenge for significance
No. 22 January
2005: Releasing
a Theatre Of Cruelty
No. 21 September
2004: Hebe's
descendants and the invention of GOD
No. 20 May
2004 : A
Spectral Peer Gynt Haunting the Psyche of the Over-arching Dullness
No. 19 February
2004: Acting
Artaud: director's
notes on creating an exorcism for actors and audience
No. 18 January
2004 :
The
Four States Of Artaud
No.
17 November
2003: Theatre
of Humanity to Illuminate Shadows of the Soul
No. 16 August
2003: What
could be done with interest on $10,000,000?
No.
15 May
2003 :
The
Naked Goddess and Other Spirits
No. 14 April
2003: Sculpturing
Visions in an Ethereal Landscape
No. 13 March
2003: Bitchiness
to give bitches a bad name
No.
12 January
2003: Sculpturing
Dreams: the redefining art of theatre in an age of abstraction
No. 11 October
2002: Eroticism
and Dreams: Art, life, representation and misrepresentation
No.
10 June
2002: Theatre
Of Smugness: Are
we at risk of degenerating into a theatre of smugnes s?
No. 9 February
2002: The
Silence of Public Liability
No. 8 January
2002: The
Incredible Art Of a Life
No.
7 November
2001 :
Mimesis & Imagination: A
Demonic Culture of Art and Theatre
No.
6 July
2001: The
Dying Art of the Mariner: Some
reflections on an Ancient Mariner
No. 5 April
2001: Theatre
And Eros: Artaud's legacy accepting the erotic nature of performanc e
No.
4 November
2000: The
Half Truths Of David Mamet
No.3
August
2000:
The
Tragedy Of Romeo and Juliet and Youth Suicide
No. 2 October
1999: Theatre
Of Narcissism
No.
1 August
1999: Paradox
and Misery
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