SCREAM
No. 55 : January 2012
God
in the details of
CREATION

(Click
here for the article)
Click
below for Archived SCREAMS
No.
54: December
2011: Releasing
Artaud from a Theatre of Cruelty
No.53 October
2011: Of LOVE AND A SACRED FIRE
No.
52 June
2011: ART OF IRRELEVANCE
No.51
April
2011: REVOLUTIONARY SUICIDE AND THE SHEDDING OF CULTURE
No.50 December
2010:
ARTAUD AND GEESE
a
new production exploring belief, illusion and delusion
No.
49 September
2010: The Darkly Comical in King Lear by Shakespeare
No. 48 August
2010: Beggar
to Benefactor:turning arts funding on its head
No. 47 June
2010 Cockroach Theatre:
why theatre practitioners might be better off thinking of themselves
as a despised species
No.
46 June
2010 Someone's
going to hate it:
a
consideration of critical dramaturgies and theatre presentation and
why you need colleagues to hate you
No. 45 March
2010: SPECTRES
OF FUTURE PAST IN FAUST META-TEXTS
No. 44 February
2010: Where
are the missing meta texts of theatre?
No 43 January
2010: Devious
bastards amongst us
No. 42 October
2009 : POST
MODERN SUCK VS THE LEGACIES OF A DEAD GOD
No. 41 September
2009: Cultural
treachery in every chance to dumb down and comply
No. 40 July
2009: Ziauddin
Sardar should studyHarald Edelstam & forget Salman Rushdie
No. 39 March
2009: Two
Guys in a bar with Vice President George Bush Snr at The
Canberra Rex Hotel
No
38 J
anuary 2009 : Dying Love In A Car With A Stranger
No. 37 November
2008: To
Believe Is To Kill
No. 36 September
2008 : Twelfth
Night Shakespeare's masquerade of love and desire
No.
35 August
2008: Icarus
Falling doesn't pay its debts or licence fees
No. 34 December
2007: The
Eureka Moment: Taking back the Eureka Moment from science fiction
and fashion labels.
No. 33 November
2007: MYTHS
& METAPHORS: ACTORS' & ARTISTS' WORKSHOP
No. 32 September
2007: Would
we be better off with no theatres?
No. 31 April
2007: ANZAC
DAY murders: Who's responsible?
No. 30 October
2006: Lamentation
No. 29 September
2006: "No
Well Made Play in Exposure of Fabricated Goddess"
No. 28 August
2006: Lessons
from Andrea Dworkin are lost on Donnie Sicko: charlatan of theatre
No. 27 May
2006: Theatre
Reviewing: is it merely a critique of one's own tunnel vision ?
No. 26 December
2005: The
cultural semen of Osama Bin Laden spawning the rise of new Fascism
No.
25 October
2005: A Fearful Theatre Afraid of its Subject
No. 24 August
2005: Homeless
Minds and the Revenge of Innocence
No. 23 May
2005: Theatre
Of The Homeless Mind a
challenge for significance
No. 22 January
2005: Releasing
a Theatre Of Cruelty
No. 21 September
2004: Hebe's
descendants and the invention of GOD
No. 20 May
2004 : A
Spectral Peer Gynt Haunting the Psyche of the Over-arching Dullness
No. 19 February
2004: Acting
Artaud: director's
notes on creating an exorcism for actors and audience
No. 18 January
2004 :
The
Four States Of Artaud
No.
17 November
2003: Theatre
of Humanity to Illuminate Shadows of the Soul
No. 16 August
2003: What
could be done with interest on $10,000,000?
No. 15 May
2003 :
The
Naked Goddess and Other Spirits
No. 14 April
2003: Sculpturing
Visions in an Ethereal Landscape
No. 13 March
2003: Bitchiness
to give bitches a bad name
No. 12 January
2003: Sculpturing
Dreams: the redefining art of theatre in an age of abstraction
No. 11 October
2002: Eroticism
and Dreams: Art, life, representation and misrepresentation
No. 10 June
2002: Theatre
Of Smugness: Are
we at risk of degenerating into a theatre of smugnes s?
No. 9 February
2002: The
Silence of Public Liability
No. 8 January
2002: The
Incredible Art Of a Life
No.
7 November
2001 :
Mimesis & Imagination: A
Demonic Culture of Art and Theatre
No. 6 July
2001: The
Dying Art of the Mariner: Some
reflections on an Ancient Mariner
No. 5 April
2001: Theatre
And Eros: Artaud's legacy accepting the erotic nature of performanc e
No. 4 November
2000: The
Half Truths Of David Mamet
No.3 August
2000: The
Tragedy Of Romeo and Juliet and Youth Suicide
No. 2 October
1999: Theatre
Of Narcissism
No. 1 August
1999: Paradox
and Misery
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